Posts tagged David Lynch
Twin Peaks Returns And I Want It All To Myself...
"Wonder" by JB Minton

Twin Peaks has returned and I don’t want to share it with you but I have to. I am a lot more possessive of this Twin Peaks than I was the original two seasons and a movie. 
Let me explain myself. I didn’t watch Twin Peaks until my friend, podcast co-creator and brother-in-law (in that order) Scott Ryan made me watch it, in what he called, “The Right Way.” 

Now, I was not accustomed to anyone telling me how to watch a television show, but I trusted Scott’s passion and let him be our guide into the world of Frost & Lynch as they put a frame around human suffering and showed us beauty and terror with amazing music, dialogue, and photographs that moved at 30 frames per second.

We bought and ate the donuts when they ate the donuts, drank the coffee when they drank the coffee, and we ate the pie when they ate the pie.  As instructed, I read Laura Palmer’s Diary when Cooper and Truman read Laura Palmer’s Diary, and I read Cooper’s Autobiography halfway through Season 2 so I would be prepared for what the fictional world Twin Peaks was about to suffer from as a second round of tragedy when they lost Special Agent Dale Cooper and he was replaced by a malevolent spirit, hell bent on stoking the flames of hatred and violence in the world to increase the quality of garmonbozia (human suffering in the form of creamed corn that these demons feed on as a source of energy).

Cool Story Bro, but Scott owned the experience of having watched the show and the film time and time again for twenty years. He read every Wrapped In Plastic and collected and framed all those amazing Twin Peaks playing cards. I couldn’t muster the passion to devote myself to a show that old and that far out of an immediate experience. It is similar to how I imagine my children respond when I make them put their electronic devices in a basket and sit down and watch Little House on Prairie.

But then the announcement came from Frost & Lynch on Twitter and suddenly the narrative and the imagery and the sound was taking on new meaning for me. It became a meditation on suffering. There were so many questions to think about that we needed three years to process and prepare for what just started a few weeks ago. 

As I write this, there have been four published “Parts” to the saga of Twin Peaks. Mark Frost published The Secret History of Twin Peaks, a masterpiece of deception and intrigue that put a frame around what we were about to experience with an 18 hour film, slow dripped out over a third of a year, a 33% progression in the Earth’s revolution around the Sun.

But time moves very slowly in the Red Room and in the Black Lodge and in whatever that fucking power station in space is, so we have plenty of time to allow the metaphors to wash over us and tell us secrets about why human beings are born to suffer and die, some of us so much more so than others.

Something is in our house and something is missing. We have to find it and bring it back. Like all Twin Peaks fans, this ongoing work of art has become very special to me, a touchstone of morality and humor and darkness and humility. And I’m willing to share it with you, because it’s immediate and we are experiencing it together, in our waking lives. While the world is burning around us, we walk with the fire and watch how it burns and ignites the next moment in flame. We get to experience this together and perhaps that’s the answer to the question we are asked every second of every moment in Twin Peaks and the world it exists inside, in the Red Room and Black Lodge which feeds off human energy in that world and we get to walk with each other in our "real world," which needs people who understand suffering more than ever so that we can become the change that is needed to let that suffering dissolve in our waking moments together.


JB Minton

JB MInton is the author of POETRYSEXLIFE, ..AND THE THIRD FLOOR MAGISTRATES TOOK THE RAPE and is a Technologist, Podcaster and Twitch Streamer. Follow JB on Facebook, Twitter and the Web.

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Reflections of a Fest: Twin Peaks Fest 2016

IMG_1642 After a sojourn to the Northwest for my first visit to the Twin Peaks Fest several years ago, I wrote up a day-by-day overview of the experience. That summer, I had just spent five months covering the U.S.C. Twin Peaks Retrospective for the Red Room Podcast and wanted to stay immersed in the TP world, so I made the trek to Snoqualmie Falls –– the iconic place of pilgrimage featuring the exterior of the Great Northern Hotel. Like many first-time Fest attendees, I looked forward to seeing the locations and hearing what the celebrities had to say while eating copious amounts of cherry pie at the RR Diner (AKA Twede's). What keeps me coming back, though, is the community of friends I've made over the years through this strange and wonderful world. This Fest seemed particularly significant because of the absence of Catherine Coulson and this being the last Fest before the airing of Season 3. There was a tangible electric vibe in the air for many of us. Things are about to change. For now, we can enjoy the mystery of not knowing where the Twin Peaks story is headed, but by next year, we'll have some answers and, hopefully, some new questions. The following are my impressions of the 2016 Fest.

John and Kat Evans, Fest Staff and really nice folks

The Fest Staff and Volunteers: "Every day, once a day, give yourself a present."

Us Fest goers keep coming back for an array of reasons, but I would be remiss not to give a shout out to the people who 1) kept the Fest alive when most of us were not even making the trek; and 2) still keep the Fest alive by making it small, personable and reminding us that it's all about the experience of community. Thank you for giving of your time and yourself to the madness. We are truly grateful. A special thank you to Rob and Deanne Lindley, the Fest Organizers, as well as Pam and Glenn Allen, Kat and John Evans, Jared and Robyn Wolfsberger, and the volunteers.

Laura Harring (Rita/Camilla, "Mulholland Drive")

The Celebrities: “Someday my log will have something to say about this.”

Many Fest first-timers and returners come for the unique opportunity to not only see celebrities from the world of Twin Peaks and David Lynch but also for the chance to spend some one-on one time with them, too. The Friday night banquet, the town hall, the movie night and the picnic featured celebrities, including the following:

Charlotte Stewart (Betty Briggs, “Twin Peaks”)

Kimmy Robertson (Lucy Moran, “Twin Peaks”)

Connie Woods (New Girl at One Eyed Jacks, “Twin Peaks”)

Russ Tamblyn (Dr. Lawrence Jacoby, “Twin Peaks”)

Wendy Robie (Nadine Hurley/Butler, “Twin Peaks”)

Jan D’Arcy (Sylvia Horne, “Twin Peaks”)

Mädchen E. Amick, (Shelly Johnson, “Twin Peaks” and “Twin Peaks: Fire Walk With Me”)

Gary Bullock (Sheriff Cable, “Twin Peaks: Fire Walk With Me”)

Jonny Leppell (Pierre Tremont/Chalfont, “Twin Peaks: Fire Walk With Me”)

Laura Harring (Rita/Camilla, “Mulholland Drive”)

Bonnie Aarons (Bum behind Winkies, “Mulholland Drive”)

Julee Cruise (Singer, Songwriter and Actor)

John Neff (Sound Engineer, Musician and Composer)

Notably absent was Catherine Coulson (the Log Lady/Margaret Lanterman, "Twin Peaks"), who passed away last September 2015. A log was placed in her honor on the table among the celebrity panelists. Coulson would often bring word from David Lynch to the Fest fans. With her passing, Charlotte Stewart has taken on the role of Fest matriarch in bringing the good word from Lynch. Before the Fest, Stewart told Lynch that it was tradition that Catherine gives a message from him. Lynch gave it some thought, and, after several days, relayed the following to Stewart to present to the Fest fans: “Many items have more than one purpose. Even a table or a chair can have more than one purpose.” Got it? Good.

If you'd like to hear more from the celebs, Scott from the Red Room Podcast interviewed several of the celebrities, including Charlotte Stewart, Laura Harring, John Neff, Gary Bullock, John Thorne (author of "The Essential Wrapped in Plastic: Pathways to Twin Peaks") and Mary Hütter, fan, vendor and editor who edited the trailer for "Blue Bob in Paris," a documentary of behind the scenes of David Lynch's one-and-only Blue Bob concert. Also, Twin Peaks Unwrapped featured a podcast with the panel Q&A as well as interviews with some Fest attendees. IMG_1842I had the honor of interviewing Connie Woods (New Girl at One Eyed Jacks, “Twin Peaks”) about a documentary to bring attention to the fact that "in the state of Ohio it is illegal to rescue any abandoned or orphaned baby deer and that their fate (death) is sealed because of a barbaric law." On the website about the documentary, www.deerlybeloved.net, Woods wrote, "After hearing about Trooper, a three legged deer that the Ohio Department of Natural Resources was planning on killing because he had been rescued and rehabilitated, I knew I had to do something .... I knew that if I could tell the story of Trooper and his rescuers that I might be able to make a small difference in this world. I learned about a small, but very passionate group of people in Ohio that are putting everything they have into saving these lovely innocent creatures. I've watched from afar as they held 'Barn Sales' to raise money for their legal fees while trying to have a bill passed that would prevent the ODNR from killing innocent baby deer. Upon hearing about Trooper and these special humans, my friend Sherilyn Fenn was on board immediately to help produce this documentary." If you'd like to know more and/or support the creation of the documentary, visit the website for "Deerly Beloved: The Saving Trooper Story" and the fundraising page to support this important cause for animal rights.

From left to right: Donna Hayward, Audrey Horne and Shelly Johnson

Costume Contest: "I'm Audrey Horne, and I get what I want!"

The costume contest at the celebrity dinner is a highlight of the Fest. This year's first-place winner included an exact replica of the iconic Rolling Stone Cover of the beauties of Twin Peaks. Three Fest attendees recreated the look of the cover and each played their role perfectly. This photo does not do it justice. Mädchen Amick even photobombed the ladies. There's amazing photos and videos out there. Take a gander.

IMG_1772Fest Films: "Where we're from, the birds sing a pretty song ... and there's always music in the air."

The Fest features a screening of a Lynch film every year. This year, they screened "Mulholland Drive," which was extra special because both Laura Harring (Rita/Camilla, “Mulholland Drive”) and Bonnie Aarons (Bum behind Winkies, “Mulholland Drive”) were in attendance. Movie night also featured a live performance by the talented Julee Cruise –– a very special treat for Fest-goers. A special thanks to John Neff who provided audio and sound as well as Glenn Lewis Allen for overseeing the movie night and the short film festival.

This was the second year in a row the Fest included a competitive film festival for Twin Peaks fans. Fans from all over the world submitted their Twin Peaks and David Lynch inspired independent short films. The winners were:

First Place: "Twin Peaks: Rituals and Candlelight" by David Busch

Second Place (tie): "Diane" by Siobhan Shields and "Twin Peaks Memorial" by Mary Hütter

Third Place: "Fire Walk With Me (Japan)" by Katsuhide Yamago

The Fest screened many of the short films, including a movie about the Fest itself. Red Room Podcast co-creator Scott Ryan made a documentary about last year's Twin Peaks Fest called "A Voyage to Twin Peaks." Scott's film is a love letter to the festival folk and all Twin Peaks fans. The documentary captures a precious moment in time –– a time when Catherine Coulson (featured in the film) was still with us. I laughed. I cried. I laughed again. (I laughed at Scott. A lot.) He really captured the magic of the Fest and the reason we all keep coming back. If you haven't seen it, go to Amazon right now and watch it.

Gary Bullock (Sheriff Cable, “Twin Peaks: Fire Walk With Me”)

Sunday at Olalie Park: “A nice day for a picnic …”

The picnic in Olalie State Park, the site of many of the scenes from "Twin Peaks: Fire Walk With Me," was extra special this year with Gary Bullock (Sheriff Cable, “Twin Peaks: Fire Walk With Me”) in attendance as Fest-goers reenacted scenes from FWWM, and, of course, an amazing play-by-play guided tour by filmmaker and holder-of-all-Twin-Peaks-knowledge Josh Eisenstadt.

What happens in the Roadhouse stays in the Roadhouse.

Karaoke Night: “Meet me in the Roadhouse after 9:30.”

The Festival concluded with Karaoke at the Roadhouse with unforgettable performances by Josh Eisenstadt and a spot-on Dorothy Vallens of "Blue Velvet" tribute. I'm not sure we'll be the same, and I'm pretty sure the Roadhouse staff will not be the same, but something magical happened among the beer and AV equipment that night.

The light fixture at the Great Northern (Salish Lodge) went full Lynchian during the Fest. Electricity!

Something Lynchian this way comes: "It is happening again."

Several Fests later, I’ve realized the Fest is less about seeing the celebrities and much more about the community of the fans. There is an acceptance of the eccentric among the Fest goers. They are a diverse and extremely creative group.

It was an honor to see old friends and meet new. I had some amazing conversations with John Thorne (original co-creator of Wrapped in Plastic magazine and author of "The Essential Wrapped in Plastic: Pathways to Twin Peaks") and Mya McBriar, who runs the Twin Peaks Fanatic blog. I laughed until my gut hurt with Scott and his lovely wife, who are good friends.

The Fest provided me a way to connect with incredible fellow writers like John Thorne of "The Essential Wrapped in Plastic," Brad Dukes of "Reflections: An Oral History of Twin Peaks" and David Bushman, who wrote "Twin Peaks FAQ" with Arthur Smith. There are so many fantastic men writing about Twin Peaks, and I admire their work. I'm working on my own book (warning: selfish plug) in which I will highlight the women who are contributing to the dialogue of Twin Peaks. I'm in the process of interviewing and profiling women who are inspired by the show and writing about it or producing art inspired by it. The show's given so many women, including myself, an opportunity to explore their own complex and creative nature. I want to celebrate that. I want their voices to inspire and serve as an archive of this special moment in time.

There's something Lynchian in the atmosphere every time I go to North Bend, and it's not just about Twede's miracle cherry pies or the rushing Snoqualmie falls.

The night of the celebrity banquet, a group of us stopped by the Great Northern Hotel (Salish Lodge). I wandered into the lobby and noticed the light fixture went full David Lynch. This was not my first visit to the lobby, and I couldn't remember the erratic blinking of the lights occurring previously. Later, I asked a staff member if the blinking was meant to be. She said it wasn't supposed to happen, but the lights were acting strangely lately. It is happening again, my friends.

My first journey to the Fest was about hitting all the marks of participating in the costume contest (Maddy Ferguson), seeing all of the locations, and getting to know some fellow Fest-goers. Some years later, I've realized that the Fest is all of these experiences but so much has become more personal ... and more private. There is one event I witnessed that I cannot even put into words. In fact, I won't. It was hauntingly beautiful and sad. I captured a photo. But I didn't post it anywhere. Last year, Catherine Coulson relayed a message from David Lynch to us in which he said, "We live in a world where there really is no mystery or honoring of mystery anymore ... real mystery. I find that personally depressing. I would like to rediscover a world where everyone discovers on their own what real mystery is." I'm trying, Mr. Lynch. I'm trying.

...

 

Some lasting impressions ...

Questions in a world of blue in the Red Room.

 

Donuts for days that Lucy set out for us.

 

A real-life canvas of trucks at the Edgewick just like that picture wall in Snoqualmie.

 

Charlotte Stewart's book is quite the read. Plus, she gave us a Betty Briggs happy-face button to don at the Fest.

John Thorne is an incredible musician and sound mixer. I'm excited to own this limited edition of Blue Bob.

 

Subscribe To The Red Room On iTunes

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Buy or Rent A Voyage To Twin Peaks at Amazon.

Scott's Documentary about Twin Peaks with Catherine (Log Lady) Coulson, Ian Buchanan, Josh Eisenstadt and more.

Listen to an interview with Sherilyn Fenn.

Buy John Thorne's book, Essential Wrapped In Plastic.

Buy Charlotte Stewarts Book, Little House in the Hollywood Hills.

John Neff talked about Blue Bob, check it out.

Purchase the Mulholland Dr. DVD

Buy Twin Peaks on DVD

 

Charlotte Stewart Interview & The Great Southern

110 It only took 110 episodes but we finally have a Twin Peaks actor on our show. This is a great place to start too, Charlotte Stewart. She has written a memoir called Little House in the Hollywood Hills. She joins to tell some great stories. She will be attending the Great Southern Twin Peaks celebration in Richmond, Va. on June 9th. So this episode beings with a fifteen minute talk with Andrew Blossom who runs the Great Southern.

The Great Southern was the place Scott debuted his documentary, A Voyage to Twin Peaks. You can rent it or buy it from Amazon and see the 25th anniversary Twin Peaks Festival. You can order Charlotte's book now and read all the wonderful stories that she told on the podcast. If you don't laugh at her story about Jack Nance, I don't know what will make you laugh. I think it is the longest sustained laugh on our show yet.

You can listen to the podcast here:

Here is your library links:

Buy or Rent A Voyage To Twin Peaks at Amazon.

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Buy David Bushman's new Twin Peak's book

Buy John Thorne's new Twin Peak's book

Buy Charlotte's new book

Check out our page that has all of our Twin Peaks Coverage.

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105 Mulholland Dr. Podcast with Josh Eisenstadt

105 Podcast_edited-2 David Lynch expert and director Josh Eisenstadt joins Scott for another in depth Lynch discussion.  This time we ride down the street of Mulholland Dr.  We cover the plot, the pilot and Josh's time on set for filming.  Wait till you hear the theory of why Betty's audition is so important in the film! Also, is the movie connected to Twin Peaks?  Don't turn the blue key just yet, click play to listen or download it from iTunes.  Enjoy a great talk about the 2001 movie, Mulholland Dr. If you have not purchased this movie, please do so from the link below.

Press Play:

Buy or Rent A Voyage To Twin Peaks at Amazon.

Buy the digital Download of Mulholland Dr. Buy the Criterion Blu Ray edition that we discuss in this episode.

Listen to episode 98 which Josh Eisenstadt also appears on.

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A Review of "David Lynch: The Unified Field"

IMG_0735Special Agent Dale Cooper from the TV series “Twin Peaks” once said, “When two separate events occur simultaneously pertaining to the same object of inquiry we must always pay strict attention." I never had the opportunity to visit Philadelphia, but I found myself there last week attending a conference. I was intrigued by the city because it had an enormous influence on my favorite filmmaker David Lynch. As it so happened, two months ago, Philly opened a special David Lynch exhibit featuring much of the work he created while a student at the Pennsylvania Academy of Fine Arts (PAFA). My worlds of inquiry had collided, and I had to take advantage of both. The David Lynch exhibit is located in the Historic Landmark Building of the Academy on Broad Street. The museum is a sanguine brick Victorian Gothic treasure in the heart of Philadelphia. “David Lynch: The Unified Field” exhibit is located on the top floor and is comprised of three exhibition rooms. It contains approximately 90 paintings and drawings from 1965 until circa 2013. The exhibit also displays several of his short films from his time at PAFA. Much of the work in the collection has never been on public display. According to the PAFA exhibition, David Lynch explained “I never had what I consider an original idea until I was in Philly.” This is really what the exhibition is about: the “unified field” both in terms of the external (the media through which Lynch explored his art) as well as the internal (the fields of the conscious/subconscious, dreams, nature, and urban decay in which he explored his art).

Buy or Rent A Voyage To Twin Peaks at Amazon. It is the documentary Scott directed about the 25th Twin Peaks Festival. See the actors, the set locations and interviews with the fans.

Lynch had studied art at schools in Washington, D.C. and Boston, but it was in Philadelphia where he discovered his true voice. Themes that reoccur throughout his career emerged during his time at PAFA. Although Lynch's first medium was painting, it was in Philly in 1967 that he crossed over from still art into the dynamic cine of moving images. The city was ground zero for his film career.

The first room of the exhibition contains early paintings and sketches from his years at PAFA. It also includes a TV, which plays his early experimental films on a loop while the attendees gaze upon his works. These early films include “The Alphabet” (1968, 4 min.), “The Grandmother” (1970, 34 min.), “16mm Experiments” (ca. 1967-1969, 21 min., 40 sec.), and “Opening of James Harvard’s ‘Crayola’ Exhibition, Dianne Vanderlip Gallery, Philadelphia” (1967, 3 min., 8 sec.). “The Grandmother” particularly struck me because it reminded me of the themes of Lynch’s film “Eraserhead” (1977). An abused young boy plants a seed in order to grow a benevolent grandmother who will help him escape the domestic violence in his home. Sexual violence, distortions of nature, birth and urban horror play out in ways that reminded me of his AFI film. (For my blog post about "Eraserhead," click here.)

One of David Lynch's early works of a man getting sick.

In this first exhibition room, I was impressed by the boldness, texture and elements comprising the paintings – including horsehair, cigarette butts and resin. A television played in rotation Lynch’s short films while the viewer gazes at an abstract painting of a man getting sick as well as a rendering of the “baby,” which would feature prominently in the 1977 film “Eraserhead.” At the center of the first exhibition room is a case comprised of sketches of the “baby,” too.

A drawing of the "baby" years before the film "Eraserhead."

The second exhibition room is titled “Home.” The explanation of “Home” really distills Lynch’s preoccupation with nostalgia, childhood and the importance of place on the subconscious. The PAFA plaque reads “These are issues Lynch is close to and partially explain why his work deals so often with violence, sexuality, and the potential for something sinister to be discovered in one’s backyard.”

A painting of a small child who shot a gun. The words read "I not know gun was loaded sorry." In the exhibition room "Home."

According to David Lynch, “[Home] is a place where things go wrong.” The featured paintings explore gun violence in the home and fleeing from the home – a place that should be a site of refuge rather than one of “bad thoughts,” violence and death.

One of the paintings in the exhibition room "Home."

The third and last exhibition room, “States of Being,” represent the last twenty years of Lynch’s work. As in much of his work, he explores the unnerving opposites of good and evil in an almost childlike dream. According to the PAFA exhibit, “Lynch’s vision can bear extreme darkness and optimism in the same work. ‘It is why we exist,’ he claims, ‘To gain divine mind through knowledge and experience of combined opposites.’”

"My head is disconnected." Featured in the exhibition room "States of Being."

The influences on Lynch’s oeuvre, including the importance of the subconscious and transcendental meditation, are especially evident in these more recent works. The 1994-96 work, “My Head is Disconnected,” is ambiguous in its connotation. Is the disconnected head a symbol of the mind's liberation or the body's death? It is this ambiguity and playfulness that I enjoy in his pieces. There is a kind of horror in transcendence and change. We mutter about it all the time – the fear of change. That’s why these pieces are so powerful. For example, the “Holding onto the Relative” (2008), features an exaggerated figure desperately clinging to earth while he or she is in the process of being pulled away from it. There is a desperation and futility to the clinging.

“Holding onto the Relative” One of the paintings in the exhibition room "States of Being."

The 2000 work, “Mister Redman,” features a character named “Bob” and “Mister Redman,” who, according to the PAFA exhibition, “has been summoned to punish Bob for his indiscretions.” A curtain protrudes from the painting as the viewer glimpses the violent scene. Is this the same evil “Bob” from the “Twin Peaks” universe? Will we see a “Mister Redman” factor into future storytelling?

“Mister Redman” featuring the ominous "Bob." This painting is displayed in the exhibition room "States of Being."

If you are visiting the exhibition, make sure to stop on the second floor for a parallel exhibition, “’Something Clicked in Philly’: David Lynch and His Contemporaries,” which features at least one work by Lynch as well as the work of the PAFA artistic community surrounding him. Artists in the exhibition include Morris Blackburn, Will Brown, Murray Dessner, Eugene Feldman, James Havard, Ben Kamihira, Leon Kelly, Kocot and Hatton, Rodger LaPelle, Noel Mahaffey, Virginia Maitland, Christine McKinnis, Eo Omwake, Elizabeth Osborne, Tom Palmore, Hobson Pittman, Peggy Reavey, and Bruce Samuelson. The curator for this exhibit is Althea Rockwell, curatorial assistant for the museum. There is a lovely portrait of David Lynch by Peggy Reavey, his first wife and fellow art student at PAFA. Please note that this smaller exhibition only runs through Dec. 28, 2014, which is a different end date than the "David Lynch: The Unified Field" exhibition.

A portrait of David Lynch by Peggy Reavey. Featured in the exhibition "’Something Clicked in Philly’: David Lynch and His Contemporaries.”

The first floor of the museum features David Lynch’s initial foray into filmmaking with the installation “David Lynch: Six Men Getting Sick.” According to PAFA, Lynch once paused before a canvas he was working on, and perceived sound and movement emerging from the work. He made the connection and thought, “’Oh, a moving painting.’ And that was it.” The film is a hybrid between moving images and art because it contains a projected image with sound, but the image is projected on the sculpture of bodies protruding from the wall, creating a three-dimensional screen. Fellow PAFA student Jack Fisk cast his body to produce the sculptures of the sick men. The film is set in a dark room in the exhibit and is played on a loop. The sick men’s stomachs fill up with liquid, which eventually protrudes through their mouths. One reacts with revulsion and fascination simultaneously.

David Lynch's film "Six Men Getting Sick.”

In her 2005 work, “The Uses of Cultural Studies,” British scholar Angela McRobbie explained how David Lynch’s films “exemplify postmodern thinking and also perform a kind of double take on academic postmodernism. It seems to engage directly with this body of writing, and it goes further so that there is an almost total ‘derealisation of the world of everyday life.’ This is done by fusing the cinematic with the psychoanalytical, the narrative with the anti-narrative, the aesthetic with the unconscious, the landscape of sexual desire with that of dreams of fantasy.” The unified field of David Lynch’s work plays out these themes on canvas and on film.

David Lynch reached into his subconscious mind to explore violence, sexuality, humor, home, childhood and loss. He gives the viewer no explanation of his images. Rather, his images encourage us to explore our inner selves. Once viewed, his works create a circle of experience of the subconscious. Finally, this circle of exchange and experience between the viewer and the artist are what becomes true art.

The exhibition could not have come at a better time for David Lynch fans – specifically fans of the 1990-1991 television series “Twin Peaks.” With the recent release of the “Twin Peaks” blu-ray, the publication of Brad Duke’s “Reflections: An Oral History of Twin Peaks,” and the announcement of David Lynch’s and Mark Frost’s continuation of the show after 25 years, which is set to air in 2016 on Showtime, now is an opportune moment to begin immersing yourself in the Lynchian world. If you can make the journey to Philadelphia, you will not be disappointed, my friends.

“David Lynch: The Unified Field” is on exhibit at the Pennsylvania Academy of Fine Arts and runs Sept. 13, 2014 through Jan. 11, 2015. The curator of the exhibit is Robert Cozzolino, and the William Penn Foundation is the presenting sponsor of this exhibition. Visit the PAFA website for more information.

Goodreads on Scott Luck Stories

Order Brad Duke's Book about Twin Peaks.

Order our essay that we wrote about Fire Walk With Me

Order the Box Set here.  This contains all the deleted scenes.

Order the new Twin Peaks set here Check out our page that has all of our Twin Peaks Coverage.

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